Breathing into your writing

I’m just out of another Cat Rambo writing games session (this time ably hosted by Jennifer Brozek), and once again I’m astonished by the creativity you can stimulate from your writing brain with a few simple prompts.

Today’s exercise was simultaneously very simple and very complicated, but it goes like this:

  1. Take a sentence. Jenn suggested three: one about making coffee, one about taking your pet for a walk, and one that apparently came from one of Cat’s ‘story seeds’, which immediately spoke to me. “The ghost of a nurse walks the streets of Glasgow.”
  2. Spend 15 minutes writing a paragraph that expands on that sentence.
  3. Spend another 15 minutes writing a number of paragraphs that expand on that paragraph.
  4. Use each expansion to tell the reader about the character, the environment, emotions, motivation etc.

I’d add a sub-instruction here, which is “5. Do this exercise using a keyboard because otherwise you have to write the text out twice so you can fit things in between the original lines.”

Anyway, this was a lot of fun, and immediately brought to mind a ghost mediator I’d conjured up from somewhere when I did the Iowa writing course waaaay back in the mists of time. He’s one of the watchers in the expanded version. Maybe one day I’ll string these various fragments together and give him a longer story.


Original sentence:

The ghost of a nurse walks the streets of Glasgow.

First expansion:

The ghost of a nurse walks the streets of Glasgow. The hem of her dress brushes the cobbles as she walks. Her clothes are well cared-for, but far from new, and her only outer garment a thin shawl, scant protection against the raw chill of a Glaswegian October night. The woman is of medium height, medium build, with medium brown hair and medium grey eyes. Her boots are neither holed nor squeakily new. She holds herself with confidence, but not arrogance. No easy target, this, but equally not a fighter. Her name is Mary, baptised like hundreds of others in the city for the Holy Mother. There is absolutely nothing remarkable about this nurse from Glasgow Royal Infirmary. Save that she is dead.

Second expansion:

The ghost of a nurse walks the streets of Glasgow. And two people watch her progress. The hem of her dress brushes the cobbles as she walks. Her clothes are well cared-for, but far from new, and her only outer garment a thin shawl, scant protection against the raw chill of a Glaswegian October night.

Her watchers do not feel the cold; their breath does not cloud the scene before them. The woman is of medium height, medium build, with medium brown hair and medium grey eyes. One of the watchers stirs as her face is yellowly illuminated by her passage beneath a gas lamp.

“She looks like me. Don’t you reckon? I think she does. Why does she look like me?”

The woman’s boots are neither holed nor squeakily new.

“How did they manage to even walk wearing those long dresses? I’d have gone arse over tip within five minutes.”

They follow her course with their eyes. She holds herself with confidence, but not arrogance. No easy target, this, but equally not a fighter.

“She’s got street smarts, aint she? Don’t meet anyone’s eyes, get where you’re going as fast as you can, but don’t draw attention to yourself. Yeah, she’s not bad. What’s her name again?”

Her name is Mary, baptised like hundreds of others in the city for the Holy Mother. There is absolutely nothing remarkable about this nurse from Glasgow Royal Infirmary.

“Bit boring, though, isn’t she? All that public service bit and slogging your way home in the rain. If she’s half as special as you make out, I’d expected something a bit more glitzy.”

There is nothing remarkable about this woman. Save that she is dead, a ghost from 130 years ago and yet alive and standing beside him, intensely curious and endlessly fidgeting, clad in skinny jeans and a puffer jacket, huge earrings swinging as she noisily chews her gum.

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